Friday, December 27, 2019
Victor Frankenstein s Moral Ambiguity - 1062 Words
Frankenstein by Mary Shelley tells the tale of the protagonist Victor Frankenstein and his creation. Both Frankenstein and Frankensteinââ¬â¢s creationââ¬â¢s questionable actions lead them both to be considered morally ambiguous figures. Victor is ambitious with good intentions, but his ambition leads to bad results. The Creature is an innately kind and compassionate person who commits abominable actions due to how others treat him. Their moral ambiguity is significant, as it reveals that an obsession with ambition distorts oneââ¬â¢s morals. Victor Frankensteinââ¬â¢s moral ambiguity lies in good intentions with bad results. Victor evolves from an intellectually curious, innocent and blameless man to being remorseful, secluded and obsessed with theâ⬠¦show more contentâ⬠¦However, the results of the creation of the Creature are egregious, as the creature begins to murder people, specifically Victorââ¬â¢s loved ones, including his brother William upon realizing that William is related to Victor. Victor here is partially at fault in his brotherââ¬â¢s death, as he abandoned the Creature, leaving it to terrorize the people. Though he is overwhelmingly contrite for their deaths, he neglects to admit who the true culprit is in Williamââ¬â¢s murder and allows Justine Moritz to take the blame, an example of his morally ambiguous actions. His inconsiderate actions cost Justine her life, though he feels horrible for it. Even then, he argues that the action he regrets the mostââ¬âthe creation of the monsterââ¬âwas the work of destiny, which was ââ¬Å"too potent, and her immutable laws had decreed my utter and terrible destruction.â⬠(Shelley 23) Again, Victor places blame on fate to justify his obsession with ambition that led him to create the thing he regrets the most. His failure to recognize his role in Williamââ¬â¢s, Justineââ¬â¢s, etc. deaths while concurrently feeling remorseful for them solidifies his status as a morall yShow MoreRelated Morality and Responsibility - Moral Development in Mary Shelleys Frankenstein1627 Words à |à 7 PagesMoral Development in Shelleys Frankenstein à à Mary Shelleys Frankenstein is a commentary on the natural disposition of man. By personifying her vision of a natural everyman character in the form of Victor Frankensteins creation, The Creature, Shelley explores the natural state as well as the moral development of man, and develops conclusions regarding both. 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One moral to draw from this Concept Check is that an argument based on incorrect information is still an argument; a bad argument is still an argument. A second moral is that an argument can have just one reason, although most arguments use more than one. 7 nearby to ask about Giardia. The underlying principle you applied isRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words à |à 316 PagesOxford University Press, 1974. Includes bibliographical references. ISBN 0-226-52130-3 (pbk.) 1. Motion picturesââ¬âSemiotics. 2. Motion picturesââ¬â Philosophy. I. Title. PN1995.M4513 1991 791.43 014ââ¬âdc20 90-46965 C1P The French edition of Christian Metz s Essais sur la signification au cinema, volume 1, was published by Editions Klincksieck in 1971, à © Editions Klincksieck, 1968. ÃËThe paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence
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